On the surface, "Around the World" is a standard travelogue fantasy: a jet-setting protagonist hopping from Tokyo to Paris to Egypt. But when you filter that premise through Stoya’s specific brand of cerebral, pale, and punk-rock sexuality, the movie stops being a checklist of locations and becomes a fascinating study in performance adaptation .
What is your favorite "genre" of Stoya performance? The goth horror? The alt-comedy? Or the global traveler? Sound off in the comments. Disclaimer: This blog post is a critical analysis of film performance and aesthetic. All subjects discussed are consenting adults over the age of 18. Please support ethical distribution of adult content. around the world stoya
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